‘Fahrenheit 9/11’ at 20: Revisiting the Fear and Anger

Michael Moore’s 2004 documentary “Fahrenheit 9/11” opens with a dazed look at the 2000 presidential election, when it seemed that Vice President Al Gore might defeat George W. Bush, then the governor of Texas. “Was it all just a dream?” Moore’s voice-over intones, before going on to chronicle Bush’s first year in office, the Sept. 11, 2001, terrorist attacks, and wars in Afghanistan and Iraq.

The opening might remind some viewers of witnessing election night 2016 and Donald Trump’s surprise victory, but that’s only one echo of several in Moore’s blockbuster documentary. Twenty years ago, “Fahrenheit 9/11” landed in an era facing similar challenges to today: wars abroad that divide people at home, worries that the country was losing sight of long-cherished principles, fears about presidential abuses of power. It felt like a do-or-die moment, much as 2024 does, and Moore embraced the roles of truth-teller, fire-starter, satirist, confidant, and man-of-the-people bullhorn.

The movie was a popular phenomenon: It became the top-grossing documentary domestically, according to Box Office Mojo, making $119 million. This was years before streamers pumped out hours and hours of nonfiction features and series. Controversy erupted even before it was released, when Disney tried to block its distribution out of political concerns. After a Palme d’Or win in Cannes, a June release followed.

The groundswell showed that Moore was tuning into a national mood. As Bush sought re-election in the thick of the Iraq occupation and terrorism alerts, Moore’s film vented about the toll of the Iraq War and the administration’s overall response to the 9/11 attacks. (Cue the infamous Aug. 6, 2001, C.I.A. warning to Bush: “Bin Laden Determined to Strike