A Bandaged Trump Shows a Glimpse of Vulnerability

Not since he descended the golden escalator at the start of his first presidential campaign has Donald J. Trump made an entrance as memorable as Monday night’s.

It was the first time he appeared in public since being rushed off a stage in Western Pennsylvania by Secret Service agents 48 hours earlier, bleeding from the ear after being shot at by a would-be assassin. A gauzy bandage covered his ear, and his slow and purposeful walk across the convention hall was filmed in the style of a boxer entering an arena.

Just as he had mouthed “fight” in the moment after the assassination attempt, the delegates on the floor chanted “fight! fight! fight!” But Mr. Trump did not look to be in a fighting mood. He appeared to choke up.

There was no mischievous smirk, practiced scowl, shimmying to the “Village People,” or any of the other hallmarks of a typical Trump performance. There was something subdued in the way he pumped his fist and flashed a thumbs-up. Lee Greenwood performed “God Bless the U.S.A.” and the eyes of Mr. Trump’s son, Donald Trump Jr., filled with tears. Mr. Trump took his seat, surrounded by family and next to his newly-named running mate, Senator J.D. Vance of Ohio. Mr. Trump looked overwhelmed by the enormity of it all.

Was this just a deft bit of convention choreography from the consummate showman, or was everything sinking in? As he’d said in one of his first interviews after the shooting, “I’m not supposed to be here. I’m supposed to be dead.”

This is not a man known for open displays of vulnerability, or softness. He often mocks such signs of weakness in others. Mr. Trump’s public performances ordinarily range from wrathful to comedic. Those who know him well saw something in the moment.

“I saw a man who knows he