Shannyn Sossamon Likes To Disappear
Shannyn Sossamon knows you’ve Googled “Whatever happened to Shannyn Sossamon?”
Candice Frederick in political news
‘What Do We Do With An Icon?’
TORONTO — It seems like every year an actor who fell out of the mainstream for a few years — or perhaps a decade or more — has an “-aissance.” Matthew McConnaughey had the McConaissance . Brendan Fraser received a warm welcome back to the spotlight with “ The Whale .” John Travolta’s career reignited in the ’90s following the success of “Pulp Fiction.”
Maybe No One Wants To See 'The Apprentice,' Actually
TORONTO — Donald Trump trying to put a gag order on incendiary stories about him isn’t exactly breaking news. The former president and the truth have never been allies.
'The Brother From Another Planet,' Kamala Harris And The Fallacy Of Post-Racialism
Every few years or so, the term “post-racial” boomerangs back into the zeitgeist, bringing with it the myth of a supposed utopia where racial woes no longer need to be brought up — much less rectified.
'Dirty Pop: Boy Band Scam' Awkwardly Curates The Facts
“As soon as ‘Boyz II Men’ hit, we started emulating everything they did.”
'MaXXXine' Is Cheap-Chic Horror At Its Finest
In the opening scenes of 1990’s “Pretty Woman,” Julia Roberts’ character Vivian Ward, a sex worker in Hollywood, rehabs well-worn black thigh-high leather boots with nothing but a safety pin and a magic marker, pairing them with a blue-and-white spandex cutout dress and a short blonde wig. It’s resourceful, hot and altogether looks like it totals about $11.95.
'Black Barbie' Proves That Representation Is Relative — And Sometimes Unproductive
In many ways, the release of “Black Barbie: A Documentary” was inevitable. Months after “Barbie” hit theaters and melted the minds of white feminists everywhere, an examination of the actually groundbreaking path of the single Black doll at the periphery of that movie seems marginally necessary.
'Brat Pack,' 'Nepo Baby' And How Celebs Continue To Miss The Point Of Media Labels
It takes about 30 minutes of writer-director Andrew McCarthy’s new documentary “Brats” to realize that it’s not really about anything. Or rather, it’s about vaguely hurt feelings.
Before Spotify And Netflix, A Black Man Was The King Of Access. He Went To Federal Prison.
It used to be that consumers never really cared how they accessed their favorite entertainment just as long as they could.